Monday, 13 December 2010

Classifications - What are they and What do they stand for?


The following text is taken from the website of the British Board of Film Classification (this was taken from the website on the 1st November 2010 at 15:00, please be aware that all aspects of classification are subject to change, if the BBFC feels that change is required).

Universal – Suitable for all
It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years and over. ‘U’ films should be set within a positive moral framework and should offer reassuring counterbalances to any violence, threat or horror.
If a work is particularly suitable for a pre-school child to view alone, this will be indicated in the Consumer Advice.
Discrimination
No discriminatory language or behaviour unless clearly disapproved of.
Drugs
No references to illegal drugs or drug misuse unless they are infrequent and innocuous, or there is a clear educational purpose or anti-drug message suitable for young children.
Horror
Scary sequences should be mild, brief and unlikely to cause undue anxiety to young children. The outcome should be reassuring.
Imitable behaviour
No potentially dangerous behaviour which young children are likely to copy. No emphasis on realistic or easily accessible weapons.
Language
Infrequent use only of very mild bad language.
Nudity
Occasional natural nudity, with no sexual context.
Sex
Mild sexual behaviour (for example, kissing) and references only (for example, to ‘making love’).
Theme
While problematic themes may be present, their treatment must be sensitive and appropriate for young children.
Violence
Mild violence only. Occasional mild threat or menace only.
Parental Guidance
General viewing, but some scenes may be unsuitable for young children
Unaccompanied children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children.
Discrimination
Discriminatory language or behaviour is unlikely to be acceptable unless clearly disapproved of or in an educational or historical context.  Discrimination by a character with which children can readily identify is unlikely to be acceptable.
Drugs
References to illegal drugs or drug misuse must be innocuous or carry a suitable anti-drug message.
Horror
Frightening sequences should not be prolonged or intense. Fantasy settings may be a mitigating factor.
Imitable behaviour
No detail of potentially dangerous behaviour which young children are likely to copy. No glamorisation of realistic or easily accessible weapons.
Language
Mild bad language only.
Nudity
Natural nudity, with no sexual context.
Sex
Sexual activity may be implied, but should be discreet and infrequent. Mild sex references and innuendo only.
Theme
Where more serious issues are featured (for example, domestic violence) nothing in their treatment should condone unacceptable behaviour.
Violence
Moderate violence, without detail, may be allowed, if justified by its context (for example, history, comedy or fantasy).

Suitable for 12 years and over
Exactly the same criteria are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them.
The ‘12A’ category exists only for cinema films. No one younger than 12 may see a ‘12A’ film in a cinema unless accompanied by an adult, and films classified ‘12A’ are not recommended for a child below 12. An adult may take a younger child if, in their judgement, the film is suitable for that particular child. In such circumstances, responsibility for allowing a child under 12 to view lies with the accompanying adult.
The ‘12’ category exists only for video works. No one younger than 12 may rent or buy a ‘12’ rated video work.
Discrimination
Discriminatory language or behaviour must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.
Drugs
Any misuse of drugs must be infrequent and should not be glamorised or give instructional detail.
Horror
Moderate physical and psychological threat may be permitted, provided disturbing sequences are not frequent or sustained.
Imitable behaviour
Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied, or appear pain or harm free.  Easily accessible weapons should not be glamorised.
Language
Moderate language is allowed. The use of strong language (for example, ‘fuck’) must be infrequent.
Nudity
Nudity is allowed, but in a sexual context must be brief and discreet.
Sex
Sexual activity may be briefly and discreetly portrayed. Sex references should not go beyond what is suitable for young teenagers. Frequent crude references are unlikely to be acceptable.
Theme
Mature themes are acceptable, but their treatment must be suitable for young teenagers.
Violence
Moderate violence is allowed but should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and must have a strong contextual justification.
Suitable only for 15 years and over
No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.
Discrimination
The work as a whole must not endorse discriminatory language or behaviour.
Drugs
Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.
Horror
Strong threat and menace are permitted unless sadistic or sexualised.
Imitable behaviour
Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail which could be copied. Easily accessible weapons should not be glamorised.
Language
There may be frequent use of strong language (for example, ‘fuck’). The strongest  terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.
Nudity
Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.
Sex
Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely  to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.
Theme
No theme is prohibited, provided the treatment is appropriate for 15 year olds.
Violence
Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.

Suitable only for adults
No-one younger than 18 may see an ‘18’ film in a cinema.
No-one younger than 18 may rent or buy an ‘18’ rated video.
In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:
  • where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
  • where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
  • where there are more explicit images of sexual activity which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.
In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.
Sex education at ‘18’
Where sex material genuinely seeks to inform and educate in matters such as human sexuality, safer sex and health, explicit images of sexual activity may be permitted.
Sex works at ‘18’
Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only material which may be simulated are generally passed ‘18’. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images, or other very strong sexual images will be confined to the ‘R18’ category. Material which is unacceptable in a sex work at ‘R18’ is also unacceptable in a sex work at ‘18’.
To be shown only in specially licensed cinemas, or supplied only in licensed sex shops, and to adults of not less than 18 years
The ‘R18’ category is a special and legally restricted classification primarily for explicit works of consenting sex or strong fetish material involving adults. Films may only be shown to adults in specially licensed cinemas, and video works may be supplied to adults only in licensed sex shops. ‘R18’ video works may not be supplied by mail order. The following content is not acceptable:
  • any material which is in breach of the criminal law, including material judged to be obscene under the current interpretation of the Obscene Publications Act 1959
  • material (including dialogue) likely to encourage an interest in sexually abusive activity (for example, paedophilia, incest or rape) which may include adults role-playing as non-adults
  • the portrayal of any sexual activity which involves lack of consent (whether real or simulated). Any form of physical restraint which prevents participants from indicating a withdrawal of consent
  • the infliction of pain or acts which may cause lasting physical harm, whether real or (in a sexual context) simulated. Some allowance may be made for moderate, non-abusive, consensual activity
  • penetration by any object associated with violence or likely to cause physical harm
  • any sexual threats, humiliation or abuse which does not form part of a clearly consenting role-playing game. Strong physical or verbal abuse, even if consensual, is unlikely to be acceptable.
These Guidelines will be applied to the same standard regardless of sexual orientation.

Wednesday, 17 November 2010

Codes and Conventiions of my chosen genre

Codes and Conventions of Thriller films:
Thrillers are mostly characterised by an atmosphere of menace, violence, crime and murder by showing society as dark, corrupt and dangerous, though they often feature a happy ending in which the villains are killed or arrested. Thrillers heavily promote on literary devices such as plot twists, red herrings and cliffhangers. They also promote on moods, such as a high level of anticipation, adrenaline rush, arousal, ultra-heightened expectation, uncertainty, anxiety and sometimes even terror. The tones in thrillers are usually gritty, slick and lurid.
The cover-up of important information from the viewer and fight/chase scenes are common methods in all of the thriller subgenres. Though each subgenre has its own characteristics and methods. Common methods in crime thrillers are mainly ransoms, captivities, heists, revenge, kidnappings and, more common in mystery thrillers are, investigations and the whodunit technique. Common elements in psychological thrillers are mind games, psychological themes, stalking, confinement/deathtraps, horror-of-personality and obsession. While elements such as conspiracy theories, false accusations, paranoia and sometimes action are common in paranoid thrillers are also included.

My preferred classification would be a 15. This is becuase I want to include the following:
·         Strong threat and menace.
·         Dangerous behaviour (for example, hanging, suicide and self-harming).
·         Use of strong language.
·         Violence.
·         Drug taking.
The aim of my trailer is to plant an enigma into the mind o the audience so that they become intrigued and want to find out what happens. I may use questions on the screen to help with this. To help me achieve this I will keep as much of the story hidden with fast cuts not allowing the audience to catch on to anything more than what Im giving them.

Here are 3 examples of other Thriller trailers: The Bourne Ultimatum, 21 and Deja Vu





Friday, 29 October 2010

Soundtrack

Ideally, I would like to use a song called "Resistance" by Muse, the music video to which can be viewed below. I would want to use it due to its reference to "1984" in its lyrics. However copyright issues will make this incredibly complicated.

This means I will need to create my own soundtrack for the trailer which can be done using Logic Pro material on a computer. I intend to use this.


Saturday, 2 October 2010

Trailer Idea's and 5 of my Favourite Films

Trailer Idea

My trailer is going to be based on the novel by George Orwell, Nighteen-Eighty-Four.
Plot The story of Winston Smith presents the world in the year 1984, after a global atomic war, via his perception of life in Airstrip One (England or Britain), a province of Oceania, one of the world's three Super-States; his intellectual rebellion against the Party and illicit romance with Julia; and his consequent imprisonment, interrogation, torture, and re-education by the Thought police in the Ministry of Love.

Characters – Big Brother, Winston, Julia, O’Brien,
Locations – My House, Horton Woods, Winey Hill, Small and Dark room. Tall buildings to use as “Ministry Buildings” (Love, Plenty, Truth and Peace).

 
My Top 5 Films (Not in order)

1.       The Bourne Ultimatum – The third film in the Bourne Series based on the novels, it stars Matt Damon as Jason Bourne. After a cliffhanger ending in the previous movie, this ties up the loose ends as Bourne searches for his real identity.

2.      The Day After Tomorrow - A film that makes a significant point about global warming and its effects but it is the general storyline of it that makes me enjoy it. The survival and near death experiences with the different situations for characters.

3.       Finding Nemo – This is a bit different because it is animated but I think its one of my favourite because it has some great humour and a really cool plot. The adventure in the open sea explores this relative obscure habitat on the Earth and uses it to produce a change in animated focus.

4.      The Hangover – When four men go to Vegas for a Stag Night, they plan on enjoying themselves but when they are drugged by Alan who is socially awkward so they forget the night completely, Doug who is his soon to be brother-in-law, goes missing. In a hilarious quest to rescue their friend Phil and Stuart along with Alan search Vegas trying to retrace their footsteps and find Doug to get him to his wedding on time.

5.       The Fast and The Furious: Tokyo Drift – A typical teenage males’ movie: fast cars, hot women, guns, violence and rivalry. Sean, a 17 year old American street racer is sent to Japan to live with his father after a race with another guy lands him so close to jail. He soon realises the streets are raced differently in Asia and as he gets to grips with his surroundings, his emotions fall to Neela, who like him is an “outsider”.

Sin City Trailer



Sin City - Thriller
Codes and Conventions - Thriller is a genre of literature, film and television that uses suspense, tension and excitement as the main elements. The primary subgenres of thrillers are: mystery, crime and psychological thrillers.
Cinematography - Panning, zoom, fly in shot, close ups on faces, mid-shots, two shots, birds’ eye view, tracking shots, fades, quick cuts, on screen effects, black and white.
Mise-en-scene – Dark clothing to coneal identities, guns for violence, close housing, industrial area, etc.
How audiences are targeted – Use of big name actors/actresses, similar movie traits, novel base.
Reliance on Previous titles – Uses novel as a base.
Star Persona – Jessica Alba, Mickey Rourke, Bruce Willis, Clive Owen.

Borat Trailer



Borat - Comedy
Codes and Conventions - is a genre of film in which the main emphasis is on humor. Also, films in this style typically have a happy ending (the black comedy being an exception).
Cinematography – Medium and Long shots to show journalistic approach. Camera panning, Establishing shot, Close ups, transititions, slow cuts, rule of thirds.
Mise-en-scene – Dressed smartly to give good impression. Small house to show lack of wealth and local surroundings, Poor area.
How are audiences targeted – Audiences are targeted by this being shown prior to films of similar genre and content or towards a select age range so before 18’s only.
Reliance on Previous titles – Not so much previous titles but built up from a comedy shows character.
Star Persona – Sacha Baron Cohen

Friday, 1 October 2010

The Expendables Trailer



I was asked to analyse 3 movies trailers in terms of the following:
·         codes and conventions of genre
·         cinematography (camera shot type; angles; movement; lighting; sound; editing;
·         mise-en-scene;
·         how audiences are targeted
·         reliance on previous titles
·         use of star persona

This is my first choice.
The Expendables (2010) - Action
Codes and Conventions – An action movie is generally where one or more heroes is thrust into a series of challenges that require physical feats, extended fights and frenetic chases. Story and character development are generally secondary to explosions, fist fights, gunplay and car chases.
Cinematography – Lots of close ups, tracking shots, birds’ eye view, super close up, two shots, eye-match, point of view shot, over the shoulder shot.
Mise-en-scene – Dressed in combat gear, with guns, armour. Light clothes for travelling quickly. Cigars show “tough” attitude.
How are audiences targetted – Audiences for this film were targetted by it being shown prior to a movie of a similar genre.
Reliance on previous titles – There was a 2000 film with the same name but this film is a tribute to action movies from the 80’s and 90’s so there are elements of those era’s included.
Star Persona – Sylvester Stallone, Bruce Willis, Jet Li, Jason Statham, Mickey Rourke, Dolph Lundgren, Arnold Schwarzenegger and Steve Austin

Monday, 27 September 2010

Muse Montage




The above video is an experimental video using Windows Live Movie Maker. I have used a variation of tranisition that could be used in a movie trailer to link parts together. All images are still. This however is a second attempt at the video after my first attempt with similar software failed to comply with my own software.

Sunday, 19 September 2010

Introduction


This post is going to talk about what previous forms of video media I have used and also other creative media exercises I have undertaken.

Creativity
My video creativity is relatively unknown as yet. However I have used some shot creativity in a video, taken with a mobile phone, of a penalty shootout with some friends of mine. I have produced a music magazine which required manipulation of photographs and ideas of how to capture an audiences imagination. I do amateur dramatics which involves thinking of ways to make a routine smoother or more appealing to the audience. The whole on stage act, including acting, dancing and singing (badly), has helped  me find my creative side through physical action rather than through my mind. In my mind though, when I am reading a book, I can visualise what is happening, as though I am one of the characters or watching it as a film.

Digital Technology
Adobe InDesign
Adobe Photoshop
Windows Movie Maker
Microsoft Powerpoint
Microsoft Publisher
YouTube account

Research
AS Music Magazine, Annotation of similar products, Magazine and Publishing institution research.
Planning
AS Magazine – Drawings, Articles, Pictures, Preliminary Task, Photoshoot.

My Blog

Hi, Im Aaron and this is my blog that I shall use to story the process of planning, production, filming and analysis of my A2 Media Studies coursework which is going to be a film trailer. So, Welcome :)